Son of Sinbad (1955)

The Big Caper

A con artist moves into a small town to spearhead a payroll robbery.

Champagne for Caesar

When jobless genius Beauregard Bottomley interviews with Burnbridge Waters for a position at Waters' soap company, the owner rudely turns Bottomley down. As revenge, Bottomley enters a TV quiz show that Waters' company sponsors, with the goal of winning until he bankrupts the businessman. When Bottomley keeps acing the questions, becoming a media sensation, Waters desperately calls on vixen Flame O'Neal to uncover Bottomley's area of weakness.

Disco Inferno

A young couple conjures a dark presence that hungers for their unborn baby as they prepare to burn up the dance floor at LA's hottest disco.

N!ai, The Story of a !Kung Woman

This film provides a broad overview of Ju/'hoan life, both past and present, and an intimate portrait of N!ai, a Ju/'hoan woman who in 1978 was in her mid-thirties. N!ai tells her own story, and in so doing, the story of Ju/'hoan life over a thirty year period. "Before the white people came we did what we wanted," N!ai recalls, describing the life she remembers as a child: following her mother to pick berries, roots, and nuts as the season changed; the division of giraffe meat; the kinds of rain; her resistance to her marriage to /Gunda at the age of eight; and her changing feelings about her husband when he becomes a healer. As N!ai speaks, the film presents scenes from the 1950's that show her as a young girl and a young wife. The uniqueness of N!ai may lie in its tight integration of ethnography and history. While it portrays the changes in Ju/'hoan society over thirty years, it never loses sight of the individual, N!ai.

Double Faces

Mahmoud is a professor of acting, who lives an isolated life, a shift in his personality occurs when he discovers the betrayal of his wife with a young man, and meets a young actress who tries to make him live a different life.

A Mother's Sonata

It’s just another weird and ordinary day for Nesrin and her mother. As the evening comes, they face the same issues they face everyday again but the next day their ordinary flow of lies is about to be broken.

Guilt

Moments

There are approximately 6.5 billion moments that occur on Earth everyday... Some remembered. Some forgotten.

Murder in Peyton Place

A former resident of the town of Peyton Place, now wealthy and powerful, secretly returns to the town and sets in motion a spate of killings designed as revenge for past wrongs.

Christoph Sieber - Everything is never enough!

Christoph Sieber's Award-winning cabaret artist, comedian, writer and presenter. He is a regular guest at the "Satire Gipfel" (ARD), in "Die Anstalt" (ZDF), the "Mitternachtsspitzen" (WDR), with "Volker Pispers & Gäste" (3sat) and other in many cabaret shows on television. With razor-sharp wit and mind scant the cabaret artist the niches of everyday life and thereby pulls every seiners comedic art. In "Alles ist nie genug!" Christoph Sieber is seriously funny and sincerely angry. He shows a love lyrical and sometimes presents wrapped in candy wrappers cynicism that mention the audience concerned and the next moment Lets laugh.

Goodbye 2

MOANS

Diego enters the restrooms in a club when he decides to smoke a joint in an out of service toilet cubicle. His night takes a hefty turn and ends up in him being witness to a heinous crime.

Filming 'The Trial'

In 1981, Welles gave a 90-minute question-and-answer session at the University of Southern California after a screening of The Trial. He had his cinematographer Gary Graver film the session with a view to editing highlights of the footage into the projected film. Graver observed, "A lot of people were there in the audience that day who are successful filmmakers now", as well as several noted film critics such as Joseph McBride and Todd McCarthy. However, Welles never got round to editing the raw footage. Its only use in Welles' lifetime was by BBC journalist Leslie Megahy for his 1982 Arena documentary on Welles. The documentary features a young man asking Welles whether he would agree he has been persecuted by The Establishment and the capitalist system, and Welles being somewhat bemused by the question.

Today and Everyday

The filmmaker’s directorial debut after joining the National Film Organization, this short documentary follows young children in preschool as they become exposed for the first time to notions of learning, reciting, and proper pronunciation and molded into conformity.