Short animation film about the fear of singing in public
A day in the life of John Lennon, alive and well in modern-day New York City. The former Beatle squabbles with a security guard, commiserates with his best friend over lunch, and upsets a bully.
Set in the 1970's, a smuggling operation exits within a small peaceful village by the sea. Those that are involved in the smuggling operation are Chun-ja, who works as a smuggler to make a living, her friend Jin-suk, who leads a group of female divers, and Master Sergeant Kwon. Master Sergeant Kwon is the king of smugglers nationally.
In a digital world, can analogue find true love? It is the wise old gramaphone who has the answers for a lovesick loner.
I wouldn't answer if I were you' Hello is the story of a young lady who falls prey to an evil killer.. alone in her apartment, eagerly awaiting the return of her boyfriend, the phone rings...
The rural Taiwanese outer islands of Kinmen sit merely 2 miles off the coast of China. Kinmen attracts tourists for its remains from the 1949 Chinese Civil War. It also marks the frontline for Taiwan in its escalating tension with China.
As John T. Wrecker continues his task of protecting a group of refugees from a virus, the threat of something new and even more dangerous grows ever closer in the form of monstrous mutants.
When Max (Eric Stoltz), urged on by "Risk Management," a self-help book for the hapless, decides to approach his fellow ferry-commuter Rory (Susanna Thompson), he hopes simply saying hello might change his life for the better. But Rory only accepts contact by contract. Max finds he can play along. As the two negotiate a whirlwind relationship on paper, Rory slowly lets down her guard; but when her unresolved personal life intervenes in the form of Donald (Kevin Tighe), Max must manage a little more risk than he bargained on.
This animated short co-animated by René Jodoin and Norman McLaren was produced for inclusion in the Let's All Sing Together sing-along series. It illustrates the popular song Alouette, gentille alouette. The technique used is single-frame animation of paper cutouts.
I was somewhere between the beggining and the end of life. After winter became spring, and summer became fall, and fall winter again. I always knew change would be constant.
A portrait of teen escort, 'Coco'.
Sequel to Antharatma
During one of their night stays, three college teens play a silly prank where they randomly call people and tell them that they know who that person is and what they have done. What will happen when things take a dangerous turn?
A modern retelling of the parable of the prodigal son.
On August 24, 1981, the newlyweds Larisa and Vladimir Savitsky stepped on board the plane following the flight Komsomolsk-on-Amur - Blagoveshchensk. 30 minutes before landing, the civilian aircraft AN-24 collided with another aircraft and broke into pieces at an altitude of more than 5 kilometers above the ground. No one was supposed to survive ... but a miracle happened. Larisa Savitskaya woke up in the middle of the wreckage of the plane in the impenetrable taiga. Now she herself had to create a real miracle, which only a strong-minded person is capable of.
Looping, chugging and barreling by, the trains in Benning's latest monumental film map a stunning topography and a history of American development. RR comes three decades after Benning and Bette Gordon made The United States of America (1975), a cinematic journey along the country’s interstates that is keenly aware “of superhighways and railroad tracks as American public symbols.” A political essay responding to the economic histories of trains as instruments in a culture of hyper-consumption, RR articulates its concern most explicitly when Eisenhower's military-industrial complex speech is heard as a mile long coal train passes through eastern Wyoming. Benning spent two and a half years collecting two hundred and sixteen shots of trains, forty-three of which appear in RR. The locomotives' varying colors, speeds, vectors, and reverberations are charged with visual thrills, romance and a nostalgia heightened by Benning's declaration that this will be his last work in 16mm film.
After eating a mysterious jar of pickled fruit from the 1800s, a curmudgeonly woman transforms into a hideous and bloodthirsty granny hellbent on wreaking havoc on the criminals and lowlifes in her neighborhood.
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