Creepy Hide and Seek (2010)

Hitch Hike

University students Ryoko and Akane get lost on a mountain road on their way home from a hike. They finally reach a bus stop, but there is no sign of a bus coming. Furthermore, Ryoko has an injured leg, and Akane's boyfriend is at a drinking party and cannot come to pick her up. The two decided to hitchhike out of the goodness of their hearts. It seemed reckless deep in the mountains, but as luck would have it, a camper pulled up. From the driver's seat...

Scooby-Doo: Agence toutou risques, vol. 1 : Le voleur de vélo

The United Monster Talent Agency

A short comedy spoof about Universal Monsters and their everyday unconventional work done at their very own talent agency for their movies.

Climate Exodus

Wayfarers

Oh lulla-lullaby, How I want to sleep, So I'll put my head, On the white bed, Maybe I will fall asleep... Film about childhood that never returns, about dreams that can’t come true and about madness as a kind of happiness or grief.

Torment of the Flesh

A man kills women because he was not loved by his mother and in his puberty he was dismissed by girls as sexually unattractive. And whenever he meets women now, he just cannot control himself.

I'll Steal You From The World

A cold and calculating world, filled with a thirst for revenge and fueled by cunning, took up arms against a young and very fragile love. The intertwining of the destinies of two families and a chain of tragic accidents lead to an unexpected outcome.

Bring Me the Head of Lance Henriksen

When '80s B-movie icon Tim Thomerson wakes up one day to realize the acting roles are not coming his way any more, he sets out on a quest to find his former co-star Lance Henriksen to discover his secret of Hollywood longevity and gets more than he bargained for in the process.

Qallunaat!

Qallunaat! Why White People are Funny is an irreverent look at Western Civilization through Inuit eyes. Inspired by the satirical essays of Zebedee Nungak, the film turns the tables on generations of anthropologists, teachers, adventurers and administrators who went North to pursue their Arctic Dreams. Now it’s their turn to be poked, prodded, examined and explained. A new generation of Inuit is ready to take on the Qallunaat at their own game. Grounded in their own traditions but educated in the South, they have a unique perspective on the culture that has come to dominate the planet. And they are not afraid to speak their minds.

Forest

Short film built from photographs, sped up like a traditional stop motion and is meant to be an evocation of the English Eerie and Folk Horror.

Kafr Kassem

On the eve of the Israeli attack on Egypt in 1956, Israel declares martial law in all the occupied Arab territories without any previous notice. When the villagers of Kafr Kassem returned home from the fields, they were butchered and killed in what is known today as the massacre of “Kafr Kassem”.

Rise of the Superbombs

Viewers go inside the new world of futuristic conventional warfare and journey through the modern development of the U.S. and worldwide arsenals, highlighting the critical technological turning points of the post-WWII age, the most fearsome weapons in circulation now, and the mind-blowing armaments in development that will soon eclipse anything seen thus far.

Unforgettable Memory of a Friend

In Liban, Chadi, a thirteen-year-old boy, the top of his class, discovers that he can make money from his talent. But money is not really the target. Instead, he wants to attract the interest of pretty Raya, whom he dares not speak to.

UFC on Fuel TV 7: Barao vs. McDonald

UFC on Fuel TV 7: Barao vs. McDonald was a mixed martial arts event held by the Ultimate Fighting Championship on February 16, 2013 at the Wembley Arena in London, United Kingdom.

The Great North Korean Picture Show

Welcome to Hollywood, Kim Jong-il style. For the first time, foreign cameras are allowed into the world’s most secretive state’s only film school. In a country where film is a vital propaganda tool, not entertainment, what room is there for artistic expression? Very little. Filmmakers James Leong and Lynn Lee follow two young actors and a director, handpicked by the regime to become stars, as they hone their craft. Every scene of implored love for the state, each painstaking rehearsal, even a surprise lesson in how to frame a portrait of Kim Jong-un raises the question of whether a gun, either literal or metaphorical, is pointed at the actors from the ever-watchful sidelines. We are never certain whether its rank and file toe the party line with anything like the willingness evinced by the privileged protagonists. Searing critique, objective observation or just fantastic fun, this is an irresistible glimpse behind barbed wire.